Bachelor of Arts (Hons) in Visual Communication

at Arts University Bournemouth United Kingdom

Performance designers are storytellers. Visual storytellers. BA (Hons) Performance Design and Film Costume creates innovative, individual and adaptable designers.

The performing body is at the core of the design work on this course and all students will create costume designs from the first year onwards. Great attention is paid to the study and design of historical, contemporary and experimental costume for film, theatre and site-specific projects.

In addition to costume design, some students will also go on to design and paint sets and make props and puppets for live performance, festivals, other events and exhibitions.

Some students will specialise in preparing themselves to work in the costume departments of film and TV productions with the aim of becoming costume designers in these industries.

The current BA Hons Costume and Performance Design course has been awarded the Queen’s Anniversary Prize for its ‘distinguished degree-level education in costume design for the UK’s leading creative industries'.

This two-year, studio-based course, is the second part of the three-part qualification in becoming an architect. This design-based professional qualification, accredited by the Royal Institute of British Architects (RIBA) and the Architects Registration Board (ARB).

You’ll work alongside fellow makers, collaborators, and enablers who have come from different schools around the world; you’ll have the opportunity to collaborate across the arts. The course philosophy has many connections and develops on from the four key issues identified in the BA (Hons) Architecture (ARB/RIBA part 1).

This course takes its approach from the context of the ‘shared studio-based arts university’ where all courses are making. This philosophy is applied throughout the taught units by emphasising the role of drawing, models and texts in the making of architecture; the things we make – to think about the things we make.

As a student you’ll be asked to develop projects with strong narratives commenting on current social, cultural and environmental issues. In each unit you’re encouraged to give architectural expression to your own personal views and visions, whilst aiming to produce tangible propositions, mindful of how they might be realised.

Studio Culture

The studio is both professional and exploratory. This educational experience is grounded in a strong studio culture of making and thinking, supported by regular lectures by practitioners, seminars and reviews.

The studio generates an atmosphere in which open, critical and reflective practice supports exploration and risk-taking where we test, discuss and present ideas. We’re particularly focused in delivering studio-based and student-centred learning environment.

We offer shared facilities such as the workshop, fab-labs, the print room and the Drawing Studio.

Personal, Professional and Ecological Development

The course will support your personal development towards a creative contribution to architecture and the wider world after graduation. The final Thesis Design year gives you the opportunity to develop your own research design project that integrates making and collaboration through an ecological narrative.

Our course is designed to develop your individual pathway into this burgeoning sector of the creative and cultural industries. Events don’t just happen. Festivals, celebrations, exhibitions, pop-up events and multi-media events need creative, energetic and well-organised people to make them a reality. On this course, you’ll develop the skills and knowledge to conceive, plan and manage successful creative events.

Events are the product of teamwork involving people from a wide range of backgrounds and interests working together. A unique aspect of this course is that you’ll work with fellow students each year to devise and deliver a live event. You’ll discover and develop your own specialist interests and have the satisfaction of seeing the events you organise go ‘live’ in front of an audience.

Our work placement unit in the second year allows you to put these skills into practice in an industry setting. You’ll be surrounded by a wealth of creative talent and will have the opportunity to work with creative practitioners and external clients in the events world.

You’ll also learn how the events industry operates, and will develop skills in digital technology and business planning. Our graduates have gone on to use their skills in organisation, management, and marketing in festival production companies and in many of the top digital businesses, such as Spotify. They also work in multi-platform marketing and events companies, fashion businesses, world-class museums, and leading charities. Through theory, technique and practice, we’ll help you to develop as a successful creative events manager, with plenty to offer the arts and creative industries.

Our teaching staff are exceptional. We’ve recently been awarded Gold by the TEF (Teaching Excellence Framework) which assesses the quality of teaching.

Our Dance degree runs in partnership with Pavilion Dance South West (PDSW), the National Dance Development Organisation for the South West. We have our own, purpose-built dance studios on campus and we also have the use of PDSW’s town centre studios. This is a perfect combination of both professional and educational environments. You'll be able to build a network of collaborators and professionals to help you launch your own creative career.

This degree will also enable you to understand the current dance industry and meet the professionals running it. On campus, you can make the most of our culture of collaboration by exploring AUB’s creative community and all that it has to offer. You’ll finish with a degree and the skills to be a dance artist, capable of thinking about dance in new and relevant ways. This is a competitive market, but you're one of a kind and have something great to offer. We’ll help you to become a dance professional with an edge.

Since the Harry Potter boom in the early 2000s, alongside a recent influx of new releases from studies, such as Disney and Marvel, the film and VFX industry has expanded at an exponential rate.

This has firmly established the UK as the leading country for high-quality Visual Effects work and created an unprecedented demand for fresh, highly-trained graduate talent from the UK education system. The course was created in response to an industry demand for visual effects artists who possess strong observational skills and the ability to apply them collaboratively in the workplace.

Designed from the ground up by industry professionals, specifically to address this demand, the primary ethos is to create the quality required for employability within the industry. Developing a foundation in traditional artistic techniques, such as drawing, colour theory, perspective, photography and composition, 125 you will learn what it takes to create your own feature film quality visual effects.

Our 2D workflow uses Nuke for all compositing, and Maya/Zbrush and Arnold for 3D, while our colour pipeline is based on an industry model with custom LUTs to ensure accurate monitoring of colour in our fully calibrated VFX labs. All of our VFX labs are equipped with top of the range industry-level workstations and are supported by our render farm, fibre network, and clustered storage. With smaller class sizes, students have full access to the VFX labs and workstations on specified lab days alongside a more personal, teaching approach. You will experience a team-based production process that replicates industry best practice; including previsualisation, concept development, on-set data acquisition, asset building, and compositing. We’ll introduce you to the underlying concepts and fundamental principles of Visual Effects work and teach you the necessary creative and technological disciplines, developing your knowledge of 2D and 3D software.

The course prides itself on the currency of its staff. You will be taught by industry professionals that between them have worked at studios, including ILM, Framestore, Double Negative, Electronic Arts, MPC, Image Engine, Weta Digital and many more. We have taken the knowledge gained at these studios and have brought it into the classroom. Having worked in the industry at the highest levels, we not only know what makes a strong artist, but also what the visual effects industry is looking for. We are focused on our graduates’ successful entry into the VFX industry, as well as them having a long and successful career.

The visual effects industry community is very close, much like a family where everyone knows each other. Through the personal connections of our industry experienced staff we are able to bring in top class guest speakers, such as Christian Manz, Creative Director, Film at Framestore and Sue Lyster, Director of Studio Operations, and ILM, to name a few recent guests.

MA Photography course is a balance of art and commerce and is founded on the assertion that photography is a powerful form of communication that potentially connects with an audience of millions.

The course offers the opportunity to make professional work within, or crossing genres, whether it’s for publication, or the gallery. What defines it as professional, is that it is conceived and created with a specific audience in mind and is conscious of how meaning is affected by socio-political criteria.

The course is designed for ambitious photography graduates, or experienced photographers who wish to develop their knowledge and expertise in order to reach the very top of their field. We look for students with a passion for the subject and who are willing to take risks, and in doing so, push themselves to new heights.

MA Film Practice offers a unique learning environment that affords access to industry standard technical resources and support. It is driven and inspired by a broad and diverse understanding of film cultures. Its practice based research ethos offers distinctive, exciting and challenging opportunities.

It recognises individuals and their aspirations, and celebrates ideas and creative experimentation, within individual and collaborative contexts. The programme of study will facilitate a body of work that will enable you to unpack critical and timely questions, develop filmmaking skills, create a personal practice resolution and refine your professional awareness.

In our dynamic studio environments, you’ll learn to experiment, test and develop your illustration practice. You can explore drawing, painting, sewing and printmaking, as well as photographic, digital, moving image and interactive media.

The engaging and creative course will be your stepping stone to an exciting career in making.

With access to the latest technology and traditional resources, you will learn to make things using an extensive array of materials, tools, and techniques. You will develop the making skills needed for rewarding careers in film, architecture, exhibition, and design. You will develop as an independent thinker, who is capable of solving problems, and taking imaginative leaps in creative design and making.

You will work on live collaborative projects with students from other courses and with industry professionals. Using our strong links with the creative industries, you will have opportunities to undertake work experience with leading companies in the UK and abroad.

Our graduates have progressed in their careers to run departments at Pinewood Studios, RSHP, Foster + Partners, Chalk Studios and Rusty Squid. This course has been the first step in the journeys of many successful graduates, leaders, and innovators. You will get the opportunity to work in our award-winning and purpose-built ‘CRAB’ Drawing Studio, which was designed by Professor Sir Peter Cook RA.
You will also work in Passiv Haus and our well-equipped Printmaking Studio.

This degree will help you to prepare for professional practice (part 1 ARB/RIBA) and investigate the ways we live in the world through material and spatial relationships. You'll develop skills that will form the foundation of your career in architecture: making, collaborating, designing and communicating. Integrating practice with theory is at the heart of professional architectural practice, so that’s exactly what you’ll do here.

You’ll explore, experiment and develop new solutions. Discussing and presenting your work you'll share ideas about architecture through making tangible propositions, mindful of how they might be realised.

This ‘research-by-making’ approach encourages risk-taking, innovation and entrepreneurship. Both inside and outside of the studio, as well as in regular seminars, lectures and reviews, you’ll work on projects that require a creative balance of rigour and risk, informed by your design, technical and contextual knowledge.

At every stage in your degree, you’ll have opportunities to build on your own practice through collaborations with other courses. You’ll develop an understanding of the practice and theory of architecture, grounded in making, along with critical thinking and a familiarity with the material nature of architectural ideas. You’ll explore the practice of making thoughtful, tangible, inhabited places that mediate between the individual, the world we live in, and the others we live with.