Master of Arts in Animation Production

at Arts University Bournemouth United Kingdom

Make-Up for Media and Performance gives you the skills that you need to play a key creative role in performance, fashion, film or television.

Our recent graduates have worked on BBC and ITV productions (such as A Midsummer Night’s Dream, Coronation Street, Casualty, Granchester and The Durrells), films (such as Beauty and the Beast), theatre productions at the Royal Shakespeare Company, musicals (such as Wicked, The King and I, Matilda and Priscilla Queen of the Desert), and at Leavesden Warner Brothers and Pinewood Studios.

The make-up artist is an important member of any production team and you’ll have the chance to work with students who are studying Acting, Film Production, Costume and Performance Design, Commercial Photography, Visual Effects, Fashion and Fashion Branding and Communication to create ‘live’ collaborative projects. On this course, you’ll learn a diverse range of make-up skills. You’ll study make-up and hair design for drama, ballet, opera and music. A different perspective will give you the skills for fashion and photography shoots. You’ll also construct wigs and hairpieces, and create prosthetic make-up FX for film and television. In short, you’ll develop skills that are a real asset to a wide range of performance industries, from theatre to TV, and from the music business to the world of fashion and film.

Our course is designed to develop your individual pathway into this burgeoning sector of the creative and cultural industries. Events don’t just happen. Festivals, celebrations, exhibitions, pop-up events and multi-media events need creative, energetic and well-organised people to make them a reality. On this course, you’ll develop the skills and knowledge to conceive, plan and manage successful creative events.

Events are the product of teamwork involving people from a wide range of backgrounds and interests working together. A unique aspect of this course is that you’ll work with fellow students each year to devise and deliver a live event. You’ll discover and develop your own specialist interests and have the satisfaction of seeing the events you organise go ‘live’ in front of an audience.

Our work placement unit in the second year allows you to put these skills into practice in an industry setting. You’ll be surrounded by a wealth of creative talent and will have the opportunity to work with creative practitioners and external clients in the events world.

You’ll also learn how the events industry operates, and will develop skills in digital technology and business planning. Our graduates have gone on to use their skills in organisation, management, and marketing in festival production companies and in many of the top digital businesses, such as Spotify. They also work in multi-platform marketing and events companies, fashion businesses, world-class museums, and leading charities. Through theory, technique and practice, we’ll help you to develop as a successful creative events manager, with plenty to offer the arts and creative industries.

You’ll graduate with both a breadth of understanding and context with a specialist focus and application in design. The design course builds on the established expertise within the Faculty of Art, Design and Architecture, becoming a collaborative design link between disciplines just as in industry.

The design thinking, strategy and 2D communication aspects of the course link well with the Graphics and Visual Communications courses at AUB, reflecting current industry practice where the definition of the product is wider than a singular object. The 3D design, prototyping and realisation aspects complement the Modelmaking, Interiors, Architecture and Fashion courses.

Topics like design strategy, user-centred design and the commercialisation process familiar to Product Design could also be a design focus that feeds back out to other programmes through a collaborative curriculum, breaking conventional subject boundaries no longer recognised by the industry. As the course progresses through each level, you'll specialise the direction of your design focus, allowing you to join with existing units on other AUB courses.

Design problems will be addressed through applying a process of systematically interrogating design practice; using design methods to analyse and comprehend situations and behaviour and generating alternative and novel, even experimental solutions. Research is the fundamental driver for creative thinking and innovation to be developed through a specific individual and critical approach to reflective enquiry and practice.

Closely aligned with the AUB Innovation Studio and supported by partners in the design industry, live projects and business and entrepreneurship will be an integral element of your study.

Animation is everywhere: from the classic Disney fairytale, to the quirky aardman comedy and the dynamic Pixar blockbuster.

Graduates from this course have gone on to work in studios across the world, including Pixar, Aardman, carrot, Lupus, and ILM. We’ll introduce you to the fundamental skills of drawing and painting which underpin animation in all forms. Along with training in industry-standard software, you’ll be able to apply your skills to hand-drawn, stop-motion, and CGI work. Working as part of a team in an animation studio environment, you’ll develop your personal portfolio and produce graduate films.

We have industry-standard facilities, where you’ll have access to the following throughout your studies – PC workstations with WACOM Intous Pro Tablets, a render management software, Adobe Creative Cloud, ToonBoom Harmony, Storyboard Pro, Dragon Frame, Mari, Maya, ZBrush, Da Vinci Resolve and Red Giant Complete.

Visits from industry practitioners and opportunities for studio placements will add to your knowledge and prepare you for a career that could see you work in film, commercials or even video game production. We’ll teach you skills to shape the future of the industry.

Students apply to the course predominantly from graphic design courses but are welcomed from a variety of backgrounds (if they can show an aptitude for typography). Students may have studied photography, architecture, illustration, interaction design, three-dimensional design, fine art, or, subjects such as journalism, philosophy, psychology, anthropology or sociology.

Whatever your background, you’ll be required to reflect on your worldview; the underlying assumptions and understanding that guides and constrains your practice, and to use this reflection as a starting point from which to further develop. Your practice can take many forms: it can be self-expressive, or socially orientated; print, screen-based or three-dimensional.

It can focus on an aspect of a well-defined area of design, such as branding, experimental typography, publishing, and user-centred design, or on something more unconventional defined as part of your study.

Graphic designers often work in groups, sometimes comprising members from different disciplines. MA Graphic Design provides many opportunities to work in interdisciplinary ways as it sits alongside the courses of other disciplines. Many of the taught sessions such as the introduction to research methods and processes occur in these interdisciplinary groups. At other times however you’ll be developing your project with your supervisor and other students on your course. This will require you to develop a theoretical framework, methodology and research methods that support your research focus.

As a graphic designer you should anticipate the possible consequences of your design interventions, including the meanings constructed through your practice, in relation to ethical and sustainability issues as well as to other relevant contexts. Creative approaches are required that respond to complex situations in which many problems reside. Outcomes are not constrained by media or by limited interpretations of what it is to be a graphic designer.

Consequently, an outcome might involve the design of an experience or service, as much as it might concern more conventional forms of graphic production.

This course gives you the opportunity to develop a specialist career, working within fashion/beauty, advertising, documentary/editorial and portrait photography. Through the combination of creativity and technical skill, our students aspire to challenge perceptions, and push boundaries, through making imagery that’s at the forefront of contemporary photographic practice.

Graduates from this course have gone on to create images for clients including Louis Vuitton, Stella McCartney, Chanel, The Times Fashion Supplement, Love Magazine, Dazed and Confused, Huck, Kit Magazine, The Telegraph, The Guardian, Vogue (UK, India and Italy), Nike, Adidas, Lacoste, Wall Street Journal and the BBC.

If you want the opportunity to set the future agenda for commercial photography, and have the commitment and drive to make the most of every opportunity the course can give you, then we would love you to join.

MA Film Practice offers a unique learning environment that affords access to industry standard technical resources and support. It is driven and inspired by a broad and diverse understanding of film cultures. Its practice based research ethos offers distinctive, exciting and challenging opportunities.

It recognises individuals and their aspirations, and celebrates ideas and creative experimentation, within individual and collaborative contexts. The programme of study will facilitate a body of work that will enable you to unpack critical and timely questions, develop filmmaking skills, create a personal practice resolution and refine your professional awareness.

You will be joining a course with an international reputation, a challenging curriculum, and inspiring teaching.

This course encourages students to engage with contemporary photography in an individually creative and experimental manner, supported by outstanding analogue and digital resources. This course is visually led, but you will learn how to place your practice within a historical and contemporary context, and define its audience. You will be introduced to a range of technical processes, from 19th-century alternative printing techniques in our traditional darkrooms to digital still and moving image capture, and post-production in our state-of-the-art lighting studios and digital suites. You will also be able to borrow an extensive range of analogue and digital kit from our professional standard technical store.

During your studies, you will be engaged in specialist professional practice units, and will be able to use our extensive alumni and professional network to help plan your career or prepare you to undertake postgraduate study.

The engaging and creative course will be your stepping stone to an exciting career in making.

With access to the latest technology and traditional resources, you will learn to make things using an extensive array of materials, tools, and techniques. You will develop the making skills needed for rewarding careers in film, architecture, exhibition, and design. You will develop as an independent thinker, who is capable of solving problems, and taking imaginative leaps in creative design and making.

You will work on live collaborative projects with students from other courses and with industry professionals. Using our strong links with the creative industries, you will have opportunities to undertake work experience with leading companies in the UK and abroad.

Our graduates have progressed in their careers to run departments at Pinewood Studios, RSHP, Foster + Partners, Chalk Studios and Rusty Squid. This course has been the first step in the journeys of many successful graduates, leaders, and innovators. You will get the opportunity to work in our award-winning and purpose-built ‘CRAB’ Drawing Studio, which was designed by Professor Sir Peter Cook RA.
You will also work in Passiv Haus and our well-equipped Printmaking Studio.