Master of Music with Emphasis in Vocal Performance

at Northern Arizona University - Flagstaff Campus USA

Composition Emphasis

• Students develop composition skills preparing them for careers as composers or for further study at the doctoral level.
• Refine music research and writing skills, including the ability to locate, assess, and synthesize a wide range of research materials related to music; create a bibliography; and write effective expository prose on music and related topics.
• Acquire advanced skills for analyzing traditional tonal music, including the ability to create Schenkerian graphs of musical excerpts and pieces.
• Learn advanced methodologies for analyzing post-tonal music, including pitch-class set theory and twelve-tone theory.
• Acquire detailed knowledge of post-World War II music.
• Increase compositional skills, leading to the production of a large-scale musical work as well as a full-length master’s recital featuring the live performances of several original compositions
• Acquire knowledge of music theory pedagogy, including diverse techniques and strategies for teaching musical fundamentals, tonal harmony, and ear training at the high school and college levels.

Suzuki Pedagogy (Violin) Emphasis
Students develop skills in the Suzuki Pedagogy method that will prepare them for careers as Suzuki violin teachers or for further study of the Suzuki method.

• Articulate and utilize Suzuki philosophy and concepts while teaching individual students and groups of students.
• Demonstrate teaching skills and mastery of repertoire appropriate to beginning, intermediate, and advanced students.
• Perform the Suzuki repertoire at a professional level.
• Demonstrate knowledge of child development, parent education, and parent engagement in the learning process.
• Identify appropriate repertoire for public performance and skill development for use with students with varying skills levels.

The study of Theatre Arts is an integral part of a liberal arts education. As such, Northern Arizona University Department of Theatre seeks to give the undergraduate theatre student the broadest possible understanding of the art and craft of theatre through the creative, critical, and applied practice of theatre, and provide opportunity through performance and production for the student to learn their art by doing their art in a learner centered environment. The program seeks to prepare students for the global society by creating an awareness of the “other”, practicing empathetical thinking, and sustainability with a global perspective.

Theatre: Emphasis in Design/Technology

• Evaluate, analyze and apply a depth and breadth of knowledge about the global impact of Theatre history, literature, and practices to the scholarship and practice of the art and craft of Theatre.
  • Synthesize knowledge acquired through the study of Theatre history, theory and criticism, and articulate their own stances on the global stage of Theatre.
  • Analyze knowledge of the history and development of modern design techniques and apply to their own Theatre design.
  • Articulate the cultural relationships and diversity of all aspects of Theatre.
• Value and apply understanding of and experience with Theatre as a collaborative art to the scholarship and practice of Theatre.
  • Practice effective communication within a collaborative environment.
  • Effectively engage in the design and build process with other Theatre practitioners.
  • Value and understand professional and ethical boundaries within the collaborative Theatrical process.
  • Apply active listening skills.
  • Evaluate and apply an appreciation of the different areas of technical Theatre to effectively work in their chosen areas.
  • Practice non-verbal skills to effectively communicate their intentions.
• Apply knowledge of theory to practical work in Theatre.
  • Apply modern design tools and skill sets to various positions in Theatre through the actual practice of Theatre.  
  • Demonstrate knowledge and correct application of discipline-based language, terminology, and vernacular.
  • Effectively communicate with Theatre professionals.
  • Practice effective drafting, drawing, model building, and other practical methods of non-verbal technical communication.
  • Practice effective research and documentation of research in the design process.
• Articulate an understanding of sustainability in Theatre, in all its manifestations.
  • Identify and discuss current professional Theatrical practices aimed at increasing sustainability.
  • Recognize, discuss, and analyze the sustainability of storytelling as an art form that is socially, culturally, and historically contextualized.
• Effectively communicate the theory and practice of Theatre in the following modes: digital, literary, verbal, and non-verbal.
  • Articulate knowledge of the fundamentals of multiple areas of Technical Theatre in various modes of discipline-based communication—in particular digital, verbal, and written forms.
  • Demonstrate comprehension, evaluation, and analysis of modern design tools for various positions in Theatre.  
  • Analyze and evaluate their places in their chosen Design/Technical field
• Apply effective problem solving through creative and critical thinking.
  • Articulate the creative process through the successful completion of a Capstone defense.
  • Critically analyze their own processes.
  • Integrate design challenges to a process in order to find creative solutions.
  • Articulate their processes in relation to production challenges.
• Demonstrate the facility to synthesize and apply their liberal studies to the practice of Theatre.
  • Apply awareness and comprehension of the scope of university course work taken in order to critically analyze their own processes as Theatre artists.
  • Integrate university course work to meet design difficulties and apply this knowledge in creative ways.
  • Articulate process in relation to production challenges by comprehending, analyzing, and synthesizing a diversity of stories, which are the basis of the art of Theatre.
  • Synthesize and apply their knowledge of all areas of Theatre and the liberal arts to effectively complete a capstone project.
• Practice an effective system of preparation and working habits.
  • Implement the Theatrical practice of always being on time, prepared, and ready to work, through successful completion of coursework and practical application in the shops and backstage.
  • Recognize, describe, and implement effective preparation practices for a designer or technician.
  • Apply and recognize the importance of continual preparation, research, and practice in design and technology.
  • Implement effective classroom strategies such as active discussion participation, engagement with course materials, and asking relevant questions.
  • Practice effective and efficient writing techniques, including outlining, peer reviewing, and revision.
  • Collaborate within groups to prepare and present course material.

The B.A. in Comparative Cultural Studies is a 49-58 credit degree whose aim is to provide students with a comparative, integrative and global approach to the study of human culture in its diversity and interconnections. The different emphases in the CCS B.A. degree introduce students to the complexities of diverse human cultures, both past and present; in the process, they develop the skills of analysis, interpretation and communication crucial to both their academic and professional development.

Criminal justice in Indian Country is a unique, complex, and specialized field that is presently not taught at any university in the United States. To be proficient, a professional working in this field must know and understand how to analyze essential facets and challenges of the field, such as: 1) the parameters of Indian Country; 2) the process to determine who is an American Indian; 3) the distinction between an American Indian person’s “political status” and “racial status” and within the context of enrolled membership; 4) whether federal law, American Indian nation law, state law, or a combination of the laws of two jurisdictions applies; 5) whether the criminal procedure rights of the U.S. Constitution, the Indian Civil Rights Act, or the American Indian nation’s Bill of Rights apply; and 6) which court – federal, American Indian nation, or state – would have jurisdiction over the matter. Throughout the program, these analyses are undertaken based upon the fundamental principle that American Indian nations are self-governing sovereigns and that current federal Indian policy promotes self-determination, self-government, and nation-building. The major in Indian Country Criminal Justice educates students with accurate, current knowledge about criminal justice and culturally-appropriate justice services on Indigenous lands, and helps students develop the unique skills they need to pursue criminal justice careers on and around Indigenous lands, with Indigenous peoples, in Indigenous communities, and with justice institutions of self-governing Indigenous nations.

The Chemistry M.S. program prepares students for research-focused professions in the chemical sciences, emphasizing the development of a students' ability to develop experimental approaches that accurately capture information to solve questions and problems in their chemical field of study. Our faculty members conduct research in the many fields of chemistry, from the level of single molecules to whole chemical systems. From the first day of entry into our program, students work closely with their faculty mentor, selecting a course of study suited to their future goals and professional interests. The program enables graduates to contribute to the forefront of knowledge in the scientific community, share their knowledge through teaching, or apply it in public service or industry.
 
This two-year, thesis-based degree program has three distinct emphasis areas: 1) A comprehensive emphasis, (2) an emphasis in Carcinogenesis and Cancer Chemotherapy and (3) an emphasis in Bioorganic and Biomedical Chemistry. All chemistry students work closely with a faculty adviser to design and implement individual thesis research. Students in the Carcinogenesis and Cancer Chemotherapy emphasis generally focus their coursework and research on learning about cancer and its causes and treatments from a chemical perspective. Students in the Bioorganic and Biomedical Chemistry emphasis generally investigate the principles of organic chemistry and biochemistry that serve as a foundation for the medical sciences.

The B.A. in Comparative Cultural Studies is a 49-58 credit degree whose aim is to provide students with a comparative, integrative and global approach to the study of human culture in its diversity and interconnections. The different emphases in the CCS B.A. degree introduce students to the complexities of diverse human cultures, both past and present; in the process, they develop the skills of analysis, interpretation and communication crucial to both their academic and professional development.

The study of Theatre Arts is an integral part of a liberal arts education. As such, Northern Arizona University Department of Theatre seeks to give the undergraduate theatre student the broadest possible understanding of the art and craft of theatre through the creative, critical, and applied practice of theatre, and provide opportunity through performance and production for the student to learn their art by doing their art in a learner centered environment. The program seeks to prepare students for the global society by creating an awareness of the “other”, practicing empathetical thinking, and sustainability with a global perspective.

Theatre: Emphasis in Performance

• Evaluate, analyze, and apply a depth and breadth of knowledge about the global impact of Theatre history, literature, and practices to the scholarship and practice of Theatre.
  • Recognize the literary, theoretical, and historical practices of performance in the global Theatre by taking courses in Script Analysis, Modern Drama, and Theatre History.
  • Synthesize knowledge acquired through the study of Theatrical history, theory and criticism, and be able to articulate their own stances on the global stage of Theatre.
  • Identify a variety of disciplines within the art of Theatre, and the impacts they have on performance by successfully completing  coursework from a wide variety of Theatrical sub-fields.
  • Demonstrate a depth and breadth of knowledge about the numerous facets of Theatre by successfully participating in various areas (or Theatrical positions) in the process of making Theatre, and applying this experience to performance.
  • Critique, perform, and synthesize their understandings of texts from the global stage through in-class assignments and mainstage or second stage projects, thereby expanding their awareness of the larger impact of Theatre.
• Value and apply an understanding of and experience with Theatre as a collaborative art to the scholarship and practice of Theatre.
  • Implement an understanding of the collaborative processes of Theatre through the successful completion of courses in directing, and through the practical applications of rehearsal and performance.
  • Practice effective communication within a collaborative environment through the practical applications of rehearsal and performance.
  • Value and understand professional and ethical boundaries within the collaborative Theatrical process through coursework and the practical application of rehearsal and performance .
  • Application of active listening skills in class, in the rehearsal hall, and in performance.
  • Apply appreciation of the different areas of Theatre to effectively perform a role or direct a text.
  • Recognize and implement successful practices of ensemble development in the creation of Theatre through successful completion of course work and practical application in the rehearsal hall and on stage.
• Apply knowledge of theory to practical work in Theatre.
  • Identify and engage in professional practices of performance through successful completion of courses in performance, and through practical application on stage.
  • Recognize, characterize and implement an understanding of the human body and voice and its relationship to narrative and expression through successful completion of performance courses and through application on stage.
  • Identify, implement, and evaluate knowledge and correct application of discipline-based language, terminology, and vernacular.
  • Identify and engage in the professional practices of the Theatre through successful completion of courses in either Stage Management or Theatre Management.
  • Identify, implement, and critique the technologies and processes used in the professional Theatre, both historically and contemporarily, through the successful completion of courses in Technical Theatre and Design.
  • Implement effective storytelling practices.
  • Identify and utilize the interaction of Theatrical elements, and employ this knowledge in analysis and implementation of Theatrical choices.
  • Recognize and implement an understanding of dramatic structure in playmaking and playwriting in order to tell a story or create a role.
  • Practice effective research and documentation of research in a performance process.
  • Demonstrate growth through audition, and successful completion of departmental performance opportunities.
• Articulate an understanding of sustainability in Theatre, in all its manifestations.
  • Identify and discuss current professional Theatrical practices aimed at increasing sustainability.
  • Recognize, discuss, and analyze the sustainability of storytelling as an art form that is socially, culturally, and historically contextualized.
• Effectively communicate the theory and practice of Theatre in the following modes: digital, literary, verbal, and non-verbal.
  • Articulate the creative process using digital, oral and written communication skills through the successful completion of a Capstone defense.
  • Practice effective verbal and non-verbal communication skills through successful completion of performance courses, and through practical application on stage.
  • Articulate dramatic structure in the rehearsal and performance processes.
  • Recognize and implement effective written communication of dramatic structure, research, and analysis through the successful completion of course work in Modern and Contemporary Drama and Script Analysis.
  • Communicate and implement an understanding of  dramatic structure, research, and analysis through the medium of live Theatre.
  • Implement effective verbal communication skills through correct usage of Theatrical terminology.
  • Articulate and implement effective verbal communication skills through exploration and discovery in the rehearsal hall and coursework.
• Apply effective problem solving through creative and critical thinking.
  • Demonstrate effective and creative problem solving by synthesizing research and coursework, and applying this knowledge to the rehearsal hall and performance.
  • Demonstrate creative problem solving by effective and diverse application of the tools of Theatre to meet the challenges of a role, a play, or a scene.
  • Implement active and critical thinking by proactively approaching a role or a project.
  • Demonstrate autonomy in the successful completion of a Senior Capstone project.
• Demonstrate the facility to synthesize and apply their liberal studies to the practice of Theatre.
  • Apply awareness and comprehension of the scope of university coursework taken to a critically analysis their own processes as performers.
  • Integrate university course work to create roles or tell stories.
  • Apply knowledge from Liberal Studies coursework in creative ways.
  • Comprehend, analyze and apply the diversity of stories found in the Liberal Studies curriculum in regard to performance challenges.
  • Synthesize and apply their knowledge of all areas of Theatre and the liberal arts to effectively complete a capstone project.
• Practice an effective system of preparation and working habits.
  • Implement the Theatrical practices of always being on time, prepared, and ready to work, through successful their completion of coursework as well as in the rehearsal hall and on stage.
  • Recognize, describe, and implement effective warm-up and preparation exercises.
  • Apply continual preparation tactics, research, and practical habits in performance.
  • Implement effective classroom strategies such as active discussion participation, engagement with course materials, and asking relevant questions.
  • Practice effective and efficient writing techniques, including outlining, peer reviewing, and revision
  • Collaborate within groups to prepare and present course material.

A degree in Anthropology provides opportunities to study and understand human social, cultural, biological, prehistoric, and language systems. The program features a holistic cross-cultural approach that includes research, fieldwork, and service. Students round out their studies with four terms of language (or via CLEP-demonstrated proficiency).

The Bachelor of Fine Arts degree in Visual Commuication is designed to produce graduates who are skilled in using art, design and technology to creatively communicate ideas and transform messages into visual communication. Through the rigorous coursework, students will develop skills in using aesthetic and conceptual judgment, color, type, symbols, digital images, multi-media, interactivity, motion graphics, photography, and project management to produce messages that clearly inform, effectively communicate brand experience, and persuade viewers.

Motion Design Emphasis

• Knowledge and skills in the use of basic principles, concepts, tools, techniques, procedures, and technologies sufficient to produce motion graphics from concept to a finished product that communicates ideas and/or stories to a viewer or to an audience. This includes, but is not limited to, the ability to use the competencies listed in items below in professional contexts as appropriate to the needs of specific projects.
• Knowledge of the principles of motion design, including its visual, spatial, sound, motion, and temporal elements and features, and how these elements are combined in the development of motion graphics.
• Functional understanding of and ability to use narrative, non-narrative, and other information/language structures (linear, non-linear, thematic, cinematic, interactive, etc.) to organize content in time-based media.
• Ability to use concepts and processes for the development, coordination, and completion of motion graphics (examples include, but are not limited, to concept, visual, and character development; the use of scenarios and personas; and storyboarding, flowcharting, and layout).
• Functional understanding and ability to use the characteristics and capabilities of various animation methods and technologies in creative and project development contexts (examples include, but are not limited to, stop motion, 2D Digital, 3D Digital, etc.).